Minggu, 24 April 2011

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9/11: The Culture of Commemoration, by David Simpson

After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated,  while “Ground Zero” remains the contested site of an effort at adequate commemoration. 

In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war. 

In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. 

Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.

  • Sales Rank: #1000553 in Books
  • Published on: 2006-05-15
  • Released on: 2006-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 176 pages

Review
"Simpson's book is a necessary attempt to critically engage what we call '9/11' as a singular moment in the history of memory, as a cultural event. Its major contribution resides in that it forces us to reflect on the monumental imprint of 9/11 and on its dissemination and circulation in public mourning and remembrance, in architecture and memorialization. The book articulates a passionate and ethical call for cultural and theoretical analysis." - Gil Anidjar, Columbia University"

About the Author
David Simpson is professor of English at the University of California, Davis. Among his many publications are Romanticism, Nationalism, and the Revolt against Theory and The Academic Postmodern and the Rule of Literature: A Report on Half-Knowledge, both published by the University of Chicago Press.

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Jumat, 22 April 2011

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Title: A Dirty Shame( A J.J. Graves Mystery) Binding: Paperback Author: LilianaHart Publisher: Createspace

  • Published on: 2012-10-31
  • Binding: Paperback

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Rabu, 20 April 2011

[H422.Ebook] Get Free Ebook Revolution and Other Essays, by Jack London

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Revolution and Other Essays, by Jack London

I received a letter the other day. It was from a man in Arizona. It began, “Dear Comrade.” It ended, “Yours for the Revolution.” I replied to the letter, and my letter began, “Dear Comrade.” It ended, “Yours for the Revolution.” In the United States there are 400,000 men, of men and women nearly 1,000,000, who begin their letters “Dear Comrade,” and end them “Yours for the Revolution.” In Germany there are 3,000,000 men who begin their letters “Dear Comrade” and end them “Yours for the Revolution”; in France, 1,000,000 men; in Austria, 800,000 men; in Belgium, 300,000 men; in Italy, 250,000 men; in England, 100,000 men; in Switzerland, 100,000 men; in Denmark, 55,000 men; in Sweden, 50,000 men; in Holland, 40,000 men; in Spain, 30,000 men—comrades all, and revolutionists. These are numbers which dwarf the grand armies of Napoleon and Xerxes. But they are numbers not of conquest and maintenance of the established order, but of conquest and revolution. They compose, when the roll is called, an army of 7,000,000 men, who, in accordance with the conditions of to-day, are fighting with all their might for the conquest of the wealth of the world and for the complete overthrow of existing society.

  • Published on: 2015-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .44" w x 6.00" l, .59 pounds
  • Binding: Paperback
  • 192 pages

About the Author
Jack London (1876-1916) was an American writer who produced two hundred short stories, more than four hundred nonfiction pieces, twenty novels, and three full-length plays in less than two decades. His best-known works include The Call of the Wild, The Sea Wolf, and White Fang.

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3 of 3 people found the following review helpful.
A mulligan stew with a few choice chunks
By Karl Janssen
The problem with Revolution and Other Essays is that there's too little "Revolution" and far too much "Other". This collection is a hodgepodge of Jack London's early nonfiction writings, in which he waxes poetic on subjects various and diverse, among them architecture ("The House Beautiful"), globalization ("The Shrinkage of the Planet"), literature (Maxim Gorky in "Fomá Gordyéeff" and Rudyard Kipling in "These Bones Shall Rise Again"), zoopsychology ("The Other Animals"), and the rise of Asia as a world power ("The Yellow Peril"). Uncharacteristic of London, the majority of these pieces are written in rather decorative prose, adorned with flowery language and gratuitous literary references. Even diehard fans of London will find most of these essays too esoteric in subject matter and too antiquated in style to be considered a necessary read.

Fortunately, a few worthy pieces redeem this volume and elevate it to the realm of readability. The title piece, "Revolution", is a state-of-the-union address for socialism in the year 1905. It serves as a stirring call to arms to the world's 7,000,000 comrades, and a warning to the uninitiated that the revolt of the working class is imminent. "What Life Means to Me" is a mini-manifesto of London's political thought. In it he provides an abbreviated autobiography charting his gradual transformation from a naive child with grand illusions to an educated socialist confronting the hypocrisy of a capitalist society. The only piece of fiction in this volume is a masterful short story entitled "Goliah". It's a sci-fi thriller about a seemingly omnipotent mystery man who appears on the world stage, cripples the military forces of the superpowers, and demands that society reorganize itself into a rational utopia. It is an audacious and exciting tale which bears some similarities to London's brilliant novel The Iron Heel.

With the exception of the pieces I've singled out above, Revolution and Other Essays is a volume casual readers of London would do best to skip. "The Somnambulists" and "The Dignity of Dollars" will also be of value to those with a fervent interest in London's politics, but if you're looking for a really good collection of London's political writings, I would suggest War of the Classes. For those who are only interested in London's fiction, just read "Goliah".

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Rabu, 13 April 2011

[R560.Ebook] Free Ebook A Talent for Genius: The Life and Times of Oscar Levant, by Sam Kashner, Nancy Schoenberger

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A Talent for Genius: The Life and Times of Oscar Levant, by Sam Kashner, Nancy Schoenberger

Drawing on exhaustive research and hundreds of interviews, this intimate portrait of Oscar Levant discusses the career of the gifted pianist, composer, entertainer, raconteur, and author, as well as his tumultuous, self-destructive private life. 15,000 first printing.

  • Sales Rank: #57950 in Books
  • Brand: Brand: Villard
  • Published on: 1994-05-17
  • Released on: 1994-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 2.00" l,
  • Binding: Hardcover
  • 512 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
A composer, concert pianist, film actor and radio and TV personality, Levant (1906-1972) was best known for his musical virtuosity and caustic wit. His idiosyncratic character is brought to life in this objective and entertaining biography by Schoenberger and Kashner, who are married and teach creative writing at William and Mary College in Virginia. Levant was a close friend to composer George Gershwin, and neglected his own compositions in favor of performing Gershwin's music. (After Gershwin's death in 1937, Levant appeared in Rhapsody in Blue , the Hollywood version of Gershwin's life.) His other film apearances included parts in Humoresque (1947) and An American in Paris (1951), in both of which he honed a persona as a neurotic and cynical musician. Drawing on interviews and letters, Kashner and Schoenberger carefully document Levant's emotional problems, which eventually led to a drug addiction that prevented him from performing and nearly ended his marriage to actress June Gale. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
A composer and a popular concert pianist, the multitalented Levant also acted (in films such as An American in Paris, 1951) and made memorable appearances on television talk and panel shows, where his cynical, eminently quotable wit spared no one, including himself. Publicly, Levant made light of his lifelong history of mental illness and was regarded as an amusing eccentric. Yet as this well-researched, intelligent biography shows, Levant's manic-depressive condition and crippling chemical dependencies took a toll on his private life and, eventually, his career. Readers who pick this up in search of celebrity gossip won't be disappointed, but what they'll remember is a man for whom the dividing line between brilliance and madness was painfully thin. Highly recommended for most public libraries.
David C. Tucker, DeKalb Cty. P.L., Decatur, Ga.
Copyright 1994 Reed Business Information, Inc.

From Booklist
For many years Levant was a very visible celebrity who appeared regularly on television variety shows, acted in films (playing himself at least as often as he was cast as a fictional character), and traveled the country as a concert pianist. He was also known for his quick wit, acerbic tongue, and neurotic disposition, showcased on venues such as Jack Paar's talk show, and made manifest in the three books he wrote. Kashner and Schoenberger painstakingly define the demons that stalked Levant throughout his life, creating a wonderfully illuminating portrait of this decidedly complex man. A chain-smoking hypochondriac, with a serious addiction to drugs, Levant was also an abusive husband, though he continued to be loved by his wife, June. This fascinating biography plumbs the depths of a verifiably tortured soul but also an individual capable of thrilling others with his brilliant musical gift and sharp tongue. Alice Joyce

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32 of 34 people found the following review helpful.
extremely entertaining read on a fascinating man
By ChefBum
'A Talent For Genius' is the exhaustive biography of one of the most colorful characters of American culture of the 30's and 40's: Oscar Levant.
In some ways, Levant's life proves to be even more interesting biography material than that of his good friend, the legendary George Gershwin. Perhaps this is because he lived for so much longer. Probably it is because of Levant's numerous talents other than music.
Because Levant was so social and knew so many of the luminaries of the arts of his time, this book pulls in a nice glimpse of the New York arts scene, MGM's Hollywood in the 40's & 50's, the U.S. classical music scene, and growing up Jewish in New York in the 20's.
Last but not least, Levant was a notorious wit; he was so funny that he could afford to be obnoxious and insulting and still count on being a welcome guest in the homes of his many friends. This biography captures such wit, and is entertainingly written (with tongue firmly in cheek) in its own right.
I am among those who prefer to not focus on Levant's later addiction to prescription drugs; such a living hell would seem to be too much a sad and undeserving fate for one of America's great entertainers and quirky geniuses. Here too, the subject matter is handled sensitively but unflinchingly.
The authors of this book have done a womderful job in fully depicting a very deserving and overdue subject: the life of Oscar Levant.

17 of 17 people found the following review helpful.
A Very Thorough and Touching Biography
By The Reluctant Critic
I first developed an interest in Oscar Levant after reading about him in "Harpo Speaks". Since that time, I've read all of his three books, have listened to two of his albums, followed by the reading of this book.
This book is one of the best biographies I have ever read. It reveals the good, bad, and the ugly of Levant's character. The authors spend a little too much ink playing the role of psychoanalyst, but most of what they offer seems to make sense regarding Levant's wild behaviors.
Overall, this is a fascinating book. Levant was a true original, and this book does an excellent job of filling in the empty spaces of Levant's autobiographies.

8 of 8 people found the following review helpful.
If you want to write an interesting biography write it about an interesting person
By Shalom Freedman
In the opening chapter of this book the authors describe the home from which Levant came, and his Pittsburg childhood. On his mother's side they were both a very musical family, and one which had 'sarcasm and humor ' as an unending part of their talking with each other. The roots of Levant's later work are clearly in this childhood, and his specially close connection with his mother's family. Also the lively Pittsburgh world of the time, including the Colwell Street brothel and the teeming immigrant-filled streets were an essential part of the education of this very street- wise classical musician.

Levant's life involved a number of very great successes. He was a composer of more than talent, and of course arguably the best interpreter of his friend Gershwin's music.

He could be quite nasty , and a louse but it seems that many were willing to forgive him , perhaps because they appreciated his great difficulties in life. One of his famous sayings is something like, " They threw me out of the insane asylum because I was making everyone there depressed"

Levant had a career not only as classical pianist and composer, but also as TV talk- show host, and much later towards the end ' guest' on the Jack Paar show. He worked with the great musicians of his time. After a short first marriage he had a thirty - five year marriage to the singer June Gale. The couple had three children.

What is to say finally about a man who had so much talent, did so many things, but also suffered so much and was not particularly loveable many times?

Who else but him could have given us,

"Roses are red

Violets are blue

I am a schizophrenic

and so am I "

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